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Barbara Stanwyck (Ruby Stevens) (1907- )

Noir Filmography

Double Indemnity (Paramount, 1944)

Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby's. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown

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The Strange Love of Martha Ivers (Paramount, 1946)

Barbara Stanwyck mesmerizes as a woman with a past, bound by a crime to a husband she despises. Kirk Douglas quickens our collective pulses in his film debut as her disappointing, dipsomaniac spouse, while Van Heflin and Lizabeth Scott bring texture to supporting roles. Everything about this 1946 film noir is intriguing, from Lewis Milestone's direction to Edith Head's costumes to the edgy and troubled characters. It takes a long, hard look at guilt and the consequences of poorly planned actions. Well worth checking out, despite a wretched title. --Rochelle O'Gorman --This text refers to the VHS Tape edition.

Description
One of the blackest of the post-war film noir classics, "The Strange Love of Martha Ivers" is notable for both its outstanding story and technique, and its truly impressive cast. Veterans Barbara Stanwyck and Van Heflin were joined by the youthful Kirk Douglas, making his screen debut in this lush Hal Wallis production. Small town mystery, murder, and intrigue is the subject as a common American phenomenon, the small town run by a powerful matriarchal family, is examined at less than arms length. The mysterious murder of a rich aunt by a young child haunts the lives of the killer and the witnesses across the years, building to a dramatic conclusion as a surprise visitor returns to town after an absence of decades.

 The Strange Love Of Martha Ivers  Buy the DVD from Amazon.com

 The Strange Love of Martha Ivers  Buy the VHS cassette from Amazon.com

The Two Mrs. Carrolls (Warner Brothers, 1947)

 The Two Mrs. Carrolls  Buy the VHS cassette from Amazon.com

Sorry, Wrong Number (Paramount, 1948)

 Sorry, Wrong Number  Buy the VHS cassette from Amazon.com

The File on Thelma Jordan (Paramount, 1950)

Jeopardy (MGM, 1950)

Clash by Night (RKO, 1952)

Barbara Stanwyck plays a hardened woman returning from big-city life to her northern fishing village in this 1952 film noir. After deciding to settle down, she marries a simple man (Paul Douglas) but is wooed by another (Robert Ryan), a circumstance that turns what had been her choice into her trap. Director Fritz Lang (Metropolis, M, The Big Heat), working from a Clifford Odets story, teases out his pet themes about human beings ensnared in fate by their own impulses and in search of redemption. This is not one of Lang's masterpieces, but it is very good in an Anna Christie way. Stanwyck and Ryan, two indispensable figures in the noir genre, are tough as nails. --Tom Keogh

 Clash by Night  Buy the VHS cassette from Amazon.com

Witness to Murder (United Artists, 1954)

 

Barbara Stanwyck Posters

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Barbara Stanwyck Posters
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